The concept L’Agglomération materializes the creation of a group by a holding company through a two-layer algorithm that blends two opposing pictorial languages: monochrome fields inspired by Mark Rothko represent the holding’s foundation (stability, governance, traditional values, patient capital), while gestural energy inspired by Jackson Pollock embodies the dynamism contributed by each entity (innovation, movement, value creation). The contrast between two eras and two artistic signatures becomes a demonstration of artistic culture, but above all a proof of technological fluency: the fusion is achieved through AI, serving as a metaphor for modern finance, which is able to integrate new tools without losing its structure.

A second “machine” layer is then superimposed onto these generated paintings: an object detector analyzes the surface as a robot would and extracts forms from it (drips, reflections, areas of density, ruptures), converting them into connected squares that form agglomerations of lines, with labels describing what the algorithm “sees.” Visually, these clusters become the equivalent of a financial graph: the squares evoke entities and areas of expertise, the links suggest synergies and flows, and the density conveys the intensity of collaboration and the control of risk. The final message is clear: a bank rooted in solid fundamentals, yet capable of evolving more quickly and methodically, while making complexity readable and manageable.